The MAC Saxophone Quartet was established in 2010 by four soloists who won numerous and important musical collaborations and numerous first prizes in national and international competitions.
They collaborate with symphony orchestras such as Orchestra of the “Teatro alla Scala” in Milan, Orchestra of the “Teatro dell’Opera” di Roma, Orchestra “G. Verdi” of Milan, Orchestra of the Lyric Theater “G. Verdi” of Trieste, Orchestra of the Lyric Theater of Cagliari, Orchestra of the “Teatro San Carlo” di Napoli, Orchestra FVG Mitteleuropa.
Their concert activity is intense in Italy (Ravenna Festival, Venice Biennale, Fermo Saxophone International Stage, etc.) and abroad (Russia, United States, Brazil, Australia, Lithuania, Slovenia, Croatia,, Germany, Austria, Lebanon, Oman).
Appreciated by the public and critics the recording works “Faces” (2011), “Zahir” (2013), and “Viaje” (2016). Very active also on the contemporary side, the quartet was dedicated to wonderful pages written by the masters S. Movio, P. Ugoletti, P. Ros, D. Lazzaron, R. De Giacometti, C. Corazza, A. Cuozzo.
The quartet performed in prestigious events such as the “XVIII World Saxophone Congress” in Zagreb”, the “Navy Band International Saxophone Symposium” of Washington D.C. and has collaborated with artists such as R. Plano, L. Cottifogli, V. Sivilotti.
The MAC Saxophone Quartet holds regular master classes and is the founder of the MAC Saxophone Meeting of Riardo (CE) and the Pontebba Saxophone Festival (UD).
Stefano Pecci
soprano saxophone
Luis Lanzarini
alto saxophone
Alex Sebastianutto
tenor saxophone
Valentino Funaro
baritone saxophone
MISERERE - the future of tradition
“Miserere” is a sought-after crossover project rooted in Italy’s noblest musical heritage, in which the art of improvisation typical of the jazz idiom is wedded to the stylistic features of the past. A millennium of masterpieces drawn from the ancient Gregorian antiphonaries and medieval laudaries, from the Renaissance counterpoint of the Roman and Venetian schools to touching on melodrama; a journey through time and the Italic sound entirely interpreted by artists who have distinguished themselves for their ability to renew tradition. The pieces all have unreleased arrangements, specially prepared by Mario Corvini to enhance both the refined phrasing of Rosario Giuliani and the enveloping, searching timbres of the MAC Saxophone Quartet, one of the quartets most appreciated for their work in protecting and innovating the Italian school.
ARTISTS
Rosario Giuliani – saxophone
MAC Saxophone Quartet
Mario Corvini – arrangements
Saint Louis Management
www.saintlouis.eu
Francesca Gregori
francesca@slmc.it
Repertoire
Guido d’Arezzo (X-XII sec.), Ut queant laxis
Laudario di Cortona (XII sec.), Magdalena degna da laudare
Giovanni Gabrieli (XVI sec.), Canzon seconda a quattro
Giovanni Pierluigi da Palestrina (XVI sec.), Missa Brevis – Agnus Dei
Gregorio Allegri (XVI-XVII sec.), Miserere
Claudio Monteverdi (XVII sec.), Toccata e prologo da “Orfeo”
Arcangelo Corelli (XVII-XVIII sec.), Adagio dal Concerto Grosso op. 6
Antonio Vivaldi (XVII-XVIII sec.), 1mo mov da “l’Inverno”
Gioacchino Rossini (XVII-XIX sec.), da “Il barbiere di Siviglia”
Gaetano Donizetti (XIX sec.), Una furtiva lagrima da “Elisir d’Amore”
L'uomo mascherato
In a contemporary world enveloped in multimedia elements, where speed and movement represent the status of modern humankind, the new project of MAC Saxophone Quartet fits in synergy with the eclectic voice of the singer Luisa Cottifogli on original music by the composer Valter Sivilotti.
An extremely versatile and captivating show that develops from the idea of using multimedia, in particular the video projection of a comic that interacts with music, singing and acting.
Music is not used by Valter Sivilotti as a simple soundtrack for the images but it interacts and supports the development of the story, amplifying aspects of the chain of events in a complex structure linked to contemporary expressions, including those most connected to the world of art/cultivated music.
This is possible because of the excellent synergy obtained by the MAC Saxophone Quartet, at ease in that tourbillon of styles and genres that have characterized the musical ‘900 up to the present day, and the voice of Luisa Cottifogli that presents various attitudes ranging from singing to recited voice, from whisper to “broken” voice and shows her great flexibility and versatility.
All this in an emphasis of animation/interaction where the playful aspect becomes an integral part of the experience because of the expressive possibilities involved in this project: aspects of the story are lived again in a vivid and real-like way, or distorted or presented in a grotesque way, giving the audience the opportunity to live and relive aspects related to childhood and every other moment of real life in a synaesthesia of senses and emotions that accompany us throughout our life path.
FEATURED ARTISTS
Luisa Cottifogli – voice
MAC Saxophone Quartet
Valter Sivilotti – compositions
Gershwin/Bernstein
Dynamic and ambitious musical project whose warm, passionate and persistent sound of saxophone joins the bright purity of the piano and the ancestral rhythm of the percussion instruments.
A valuable sound distillate that summarizes in a few elements the enormous tonal potential of an entire symphony orchestra. An unprecedented and engaging interpretation that manages to make the masterpieces of two of the most important North American musicians of the twentieth century shine and vibrate: George Gershwin and Leonard Bernstein.
The American symphonic music of the twentieth century embodies all the elements that characterize that great country: the cultural varieties of the population merge into a new proud American identity; a new people and a new nation that encompasses in its music the fast-paced Caribbean rhythms, gospel/blues singing, nascent jazz and the academic tradition of Europe. The genius of Gershwin and Bernstein was to sublimate all these characteristics in an orderly and balanced way, allowing us to freely and easily grasp the “American dream” in compositions of excellent value even on a formal level.
FEATURED ARTISTS
Roberto Plano – piano
MAC Saxophone Quartet
Alessio Benedetti – percussions
Valter Sivilotti – arrangements
Repertoire
West Side Story, Danze Sinfoniche
Prologue (Allegro moderato)
Somewhere (Adagio)
Scherzo (Vivace e leggero)
Mambo (Meno presto)
Cha-Cha (Andantino con grazia)
Meeting Scene (Meno mosso)
Cool Fugue (Allegretto)
Rumble (Molto allegro)
Finale (Adagio)
Leonard Bernstein
(piano, saxophone quartet and percussions)
Rhapsody in Blue
George Gershwin
(piano, saxophone quartet and percussions)
Cuban Overture
George Gershwin
(piano, saxophone quartet and percussions)